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Based on Claude Berri’s real life, L’Un Reste, L’Autre Part is a tragicomedy that follows two Paris art dealers as they, like most French men these days, juggle their wives and mistresses. The film begins as Daniel, a 20th-century furniture and architecture specialist played by Daniel Auteuil, is celebrating his 16 years of marriage to his second wife with his 15-year-old son, Cedric, his dear friend Alain (Pierre Arditi) and his wife Fanny (Nathalie Baye). The phone rings and the happy mood turns abruptly somber as Daniel learns that his son Julien (Nicolas Lebovici), is in intensive care following a motorcycle accident. Soon thereafter, Daniel meets Judith and must decide whether or not to pursue a love affair while his son suffers in the hospital. Meanwhile, Alain, an African antiquities dealer, is in way over his head with his gallery assistant, Farida (Aissa Maiga), a feisty Senegalese knockout less than half his age. Devoted to wife Fanny and their teen daughter, Alain is having more and more trouble placating Farida, who wants him all to herself. Arditi’s pathetically comic Alain counterbalances Auteuil’s tragic Daniel and his interactions with the two women in his life, not to mention his caustic sister-in-law, provide humorous moments throughout the film. In my opinion, Auteil gives one of his best performances as a man trying to deal with his son’s accident. In the incipient scene when Auteil learns his son has been in a motorcycle accident, he cries out and says nothing else, but his facial expressions make it clear what has just occurred. In another scene, when Auteil learns, also by phone, that his son may never walk again, he begins to cry and creates one of the most emotional scenes I have seen in a film recently. I find it hard to believe that French critics gave the film such bad reviews; I thought it was one of the best French films I’ve seen all year! I mean it is only January, but you get the idea…

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