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The story develops in the Tokugawa era of the 18th century, in a poor district of Tokyo, where impoverished samurai live from hand to mouth among equally poor people of lower social classes. One such ronin (masterless samurai) Matajuro, spends his day looking for work whilst his wife, Otaki, makes cheap paper balloons at home. One rainy night, Shinza, a barber, and equally penniless, impulsively abducts the daughter of a wealthy merchant, hiding her at Matajuros home. Their desperate plan has grave consequences when a ransom attempt backfires. The film, which starts and ends with suicide, is deeply pessimistic, insisting that life in feudal Japan was hellish and short for those at the foot of the social ladder.
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But I can't help feeling that there are so many coincidences between the two films that perhaps Kurosawa was intentionally using Humanity and Paper Balloons as a model for an updated satire on Japanese power structures. ...
I am not sure how many of you have been able to watch our current film club feature, Sadao Yamanaka's Humanity and Paper Balloons, but here are some random thoughts that the film has evoked in me. ... play actually came out only a year before Humanity and Paper Balloons. Could it have made its way to Japan and influenced Yamanaka? Probably not, as at least IMDb lists the Japanese release date as November 23, 1937, which is three months after Yamanaka's film premiered. ...
Our online film club's journey through Kurosawa related cinema continues for the next four weeks with Sadao Yamanaka's 1937 period drama Humanity and Paper Balloons, which many critics and film makers including Kurosawa himself have ...
I am not sure how many of you have been able to watch our current film club feature, Sadao Yamanaka's Humanity and Paper Balloons, but here are some random thoughts that the film has evoked in me. First of all, Humanity and Paper ...
Widely regarded as Yamanaka's greatest achievement, Humanity and Paper Balloons was, tragically, his last film, and only one of three that survive today. In a short, six year, film career Yamanaka quickly earned a reputation for ...
HUMANITY AND PAPER BALLOONS (Sadao Yamanaka, 1937). By grunes. Sadao Yamanaka's slight, rainsoaked tragicomedy set in an eighteenth-century slum in Edo (Tokyo), Ninjo kami fusen so questioned myths of Japanese heroism and tradition that ...
A month from now (starting on July 15), we will be discussing Sadao Yamanaka's highly influential 1937 classic Humanity and Paper Balloons. The rest of the schedule is still being negotiated. So, join the discussion, both for Naruse's ...