There is no chance in hell that his dreams will ever come true, simply because he has no money to bribe!

To make Matters worse, the new municipal commissioner turns out to be his ex girl friend (Trisha) who now hates him.

Even as you laugh as Sachin bubbles his way from one disaster to another, the film reveals in a light hearted way, the

extent of corruption and bribery rampant in the system, and the ingenious means you have to adopt if you want to survive

enjoy the bumpy ride!

Similar to the recent Bollywood crossover Raajneeti, Red Alert overtly hammers away ideas about corrupt bureaucracy squashing the little man, while throwing in some elaborately planned shoot-outs for good measure; one intensely realized moment follows the crew of rebels as they take over a children’s school, a scene seemingly pulled from a Paul Greengrass picture in the way the director uses rapid-fire jump cuts in jaunty, nausea-inducing fashion to convey a heart-thumping sense of unease. No matter how refreshing it is not to be bombarded with a single sing-and-dance extravaganza, Red Alert still falls back on the patented, stiffly acted melodrama of Bollywood. Even though the film proves slightly tilted toward the slant of leftist politics, it pegs itself as a two-sided treatment of the political fight for the people’s rights; after Narashima goes to the police, we get to see the government’s side of the story, and the complexities involved with combating guerilla warfare.

The unforgiveable flaw of the film is its lack of subtlety, the way character detail and plot development is laid for us on a silver platter, never requiring the audience to read between lines or fully engage with the intricacies of the lead character’s internal and moral quandary. Red Alert portrays a world torn to bits by opposing sides, relegating the unfortunate few as mere pawns in their all-out war for justice. If only the film was able to consistently command the viewer’s attention via visual excitement and sustain the taut qualities of the abovementioned scene, then we would have a solidly riveting flick here. Instead, the audience must sit through character after character spouting zealous, didactic ideals as the plot slowly moves to a ludicrously schemed, if somewhat unexpected, ending.

Knowing exactly what Priya wants, he pursues her and they fall in love but their happiness is shattered when Priya
realizes he has read her diary and lied to her. She breaks up with Amit despite his protests. He tells her it was destiny which brought them together.
Priya decides to test destiny and asks Amit to write his full name on a fifty rupee note and buys a notebook with it.
She writes her full name and phone number in the book and gives it to an old book shop. She feels that if destiny really
meant for them to be together they’d find the note and the book again and find each other.
Three years later Priya and Amit are engaged to marry different people.
Will the fifty rupee note and the notebook find their way back into Priya and Amit’s hands and bring them back together?
Or does destiny have other plans for them?

Dev falls in with Ragini, a spunky classical dancer who is as unconventional as him. They get married and he takes up his new post in Lal Maati, a small town in northern India.

A town where the world of law is not the police but Beera, a tribal who has, over the years, shifted the power equation of the place from the ruling to the have-nots of the area.

Dev knows that the key to bringing order to any place is not to vanquish the big fish; in this case – Beera.

In one stroke Dev manage to rip open Beera’s world, and set in motion a change of event which will claim lives, changes fortune.

Beera, injured but enraged hits back starting a battle that draws Dev, Beera and Ragini into the jungle.

The jungle which is dense, confusing, scary. And in this journey they must confront their own truth. A journey which will test their beliefs, convictions and emotions. Emotions which are as scary and confusing as the forest.

The forest becomes the battleground. The battle between good and evil, between Dev and Beera, between Ram and Raavan.

But when the lines dividing good and evil are blurring fast whose side will you take. When hate turns to love and the good starts looking evil. Which side will you battle for?

Love is the battle that nobody wins but everyone must fight. Even this Raavan.

One fine day, having enough of their mistreatment, Ganya runs a away form home and reaches lord Ganesha’s temple at Ganpatiphule. Gangu Tai, who is praying at the temple, is moved by the sight of the sobbing kid and takes him home, Ganya, who has never seen his mother, finds a mother in Gangu Tai, and Gangu Tai, who has never had a kid, finds a son is Ganya.

At the villa, the mood is somber, Naagesh and Chandramukhi are frantically looking for Ganya, but in vain. They are well aware that without Ganya, their dream of grabbing the villa will remain just a dream. Much to their respite, Chandramukhi’s brother Bala manages to find Ganya and bring him back. But Ganya is unhappy to be back and longs to go back to Gangu Tai. Naagesh and Chandramukhi relent partially and decide to meet Gangu Tai and her husband Shamshir, but only to humiliate them. Ganya is back to his miserable life at the villa. Feeling helpless, he sobs in front of Lord Ganesha’s idol and prays for help. Lord Ganesha, on hearing Ganya’s honest prayers, appeared and befriends him. Ganya desparately wants to go back to Gangu Tai and Lord Ganesha sends him in a flash. Gangu Tai and Shamshir are delighted to have their beloved Ganya back.

But, while Ganya gets what he wants, the scene at the villa changes dramatically. Naagesh and Chandramukhi are taken aback by the sudden change in Ganya’s behaviour. The timid boy, whom they had ruthlessly treated, has turned the tables on them. Ganya was no more the timid Ganya they had known, but had transformed into a rich brat, beyond their control. The even set up a plot to kill him, but somehow Ganya manages outsmart them on all occassions.

On the other hand, Gangu Tai and Shamshir decide to ensure that Ganya being the real inheritor of the villa gets his due justice. They, along with Ganya reach the villa to confront Naagesh and Chandramukhi; but they can’t believe their eyes on seeing another (bratty) Ganya at the villa! Naagesh, Chandramukhi, Gangu Tai, Shamshir, Ganya are all bewildered by the presence of the two Ganyas.

As the mystery of the two Ganya’s depens, what emerges is a no holds barred joy ride involving on villa, two inheritors and their adorable friend Lord Ganesha. But who is this other Ganya? Is he the handywork of Naagesh and Chandramukhi or someone else who has set his eyes on villa or is it friendly Lord Ganesha weaving his magic once again! All this and much more that the kids will just love and enjoy in My Friend Ganesha 3.